Music

November 26, 2007


Schulz wasn't an artist because he suffered. He suffered because he was an artist. To keep choosing art over the comforts of a normal life -- to grind out a strip every day for fifty years; to pay the very steep psychic price for this -- is the opposite of damaged. It's the sort of choice that only a tower of strength and sanity can make. The reason that Schulz's early sorrows look like "sources" of his later brilliance is that he had the talent and resilience to find humor in them. Almost every young person experiences sorrow. What's distinctive about Schulz's childhood is not his suffering but the fact that he loved comics from an early age, was gifted at drawing, and had the undivided attention of two loving parents.

~ Jonathan Franzen, "Two Ponies" from "The Discomfort Zone"

Posted by - constanthing
Categories:

0 comments  

 
>